Telemann, G. - Fugues Legeres, No. 2, Mvt. 1 (Viola Duo)

Originally written for keyboard (harpsichord or organ) in the late 1730s, this "light fugue" adapts beautifully into a chamber piece for two violas. The first movement introduces the primary fugal subject in a clear, linear fashion, allowing the two lower-register string voices to interweave contrapuntally.

Pedagogical Value & Insights

• Alto Clef Contrapuntal Reading: Playing polyphonic keyboard music on the viola is an excellent exercise for students to maintain linear independence in the alto clef. It requires keeping track of the subject and answer across both voices without losing their place during interlocking entrances.

• Intonation in A Major: The key of A major requires careful finger placement on the viola, specifically with high 3rd fingers on the D and A strings (G# and D#) and close half-steps. Tuning the intervals cleanly between the two violas without an accompaniment instrument reinforces deep listening skills.

• Bow Control & Articulation: Fugal subjects from this era demand a crisp, speaking bow stroke. Students must practice a clear, rhythmic front to each note (martelé or a lifted detaché) to ensure the contrapuntal lines remain distinct and transparent rather than muddy.

• Rhythmic Precision & Interlocking Pulses: Because the movement relies on continuous imitative entries, both players must internalize a steady subdivision. Managing ties across the beat and syncopations safely keeps the ensemble from rushing or dragging.

• Difficulty Level: Intermediate to Late Intermediate. It provides an ideal stepping stone for violists transitioning into advanced chamber literature, emphasizing collaborative leadership and precise ensemble timing over extreme left-hand virtuosity.